For this section, I’ll be penciling and drawing the large pages of my comic story, Incident at the Game Store! If you’re up to having a signed physical book for yourself, you can stop by my Etsy store and grab a copy!
I’m using Strathmore Smooth Bristol Board Paper. It’s lined for comic printing. These large binder clips to keep my paper on top of the rest of the pad for “cushion.”
At the start, I’m marking down the rough areas of composition with non-photo blue pencil. This part is a bit newer addition to my workflow, as I’m testing my ability to do this quick. I’ll admit it’s hard to see in a photo, but I’m doctoring the photo in these demonstrations to be easier to see.
This is where your thumbnail pages come in. I use a t-square to line up the panels. Other than that, I don’t worry about exact perspective. I’m making sure to draw light, so it’s easier to erase and make changes if needed.
I began to do some refining and detailing of Panels 1 and 2. Using my GameStop references to establish detail and break up the composition. I’m not used to blue line drawing, since it’s encouraging me to press my marks harder. Since I’m inking my own work, I don’t need to worry about this too much.
I did a few last-minute detail changes to page 1 to break up the pattern of games on the shelf. It’s minor, but it makes backgrounds more believable.
On to page 2, again it’s hard to get these photos from my phone because the drawings are in non-photo blue lead.
I did a few sketches to figure out the poses and sketches to figure out panel 2’s composition. When I was drawing the couple, I wasn’t thinking too hard about them being an interracial couple. I wanted to draw a girl with a good butt, and a black girl was the first in my mind because I’m a damn perv. The boyfriend is white because the fat guy is white, and it makes it easy to hide the twist for the monster.
Here, I’m refining the panel more. I swapped the couple’s places to keep the continuity. I feel like I failed to capture the final expressions as well as my thumbnail.
The last panels of page 2 are really sloppy, especially the fist. I used my selfie reference and pictures of my own hand to catch the pose of a clenched fist.
On to page 3. I don’t do much action, so this is my first time drawing a character punching another. The punch needed to be impactful, from the large punch pose to the fat guy’s crumpling body from the impact. With that, I demonstrated a new maliciousness to Mr. Fats, so I got some reference for the old chin down, eyes up face.
For the fat guy’s face squished by the fist, I got inspiration from the Pokémon Origins miniseries. It was the part where Charzard uses Mega Punch on Blastoise. The expression and the folds of fat was exactly what I needed.
Next is page four! It’s a straight-forward page that went fast. The first panel is redundant from the last panel of the previous page. But I kept it, since I didn’t know what to do with that otherwise. Panel 4 is another one of those panels where I use diagonal panels to vary up my comic layouts.
On to page five! I wanted to rework my initial thumbnail to figure out the positions of the monster reveal. I did a some pose sketches of the foreground girl.
The girlfriend needed to run away out of the story since she’s finished with her part in this story. Likewise, I also had some trouble with a head angle, so I blew time on studies. That’s not a bad thing, but I was expecting to knock out this page faster.
I’m almost finished with page 5. Put too much detail to the left shelf that before realizing it didn’t go with the warped perspective. There’s trouble erasing the blue lines, so I’ll need to be careful with the inking.
Page six is the last stretch. This is a simple transition zoom out from page five. It’s a testament to my new skills that I was able to plan my layouts more for this kind of thing. I could’ve designed the now fat-ized boyfriend better but this gets the point across enough.
Now, back to drawing the store at a new angle, referring to the first page to keep continuity of the mall outside. Also, I inverted the couple from the first page to a white girl with a black guy to bookend the story. It was a surprising struggle to make the mouth right for the end to get the right amount of filthiness for the look. I dug through enough, creepy refs of someone licking their lips as well.
Compared to Shirley’s Day, my pencils are sloppier, but I got them done faster than the first time I made a comic. Penciling this took me roughly a month to finish. At the time in 2019, I had 4 hours a day available to me to work on these. The backgrounds taking the longest out of the time.
